Joris van Son1623-1667) was a highly popular Flemish Baroque painter of fruit and flowers, in banquet style on a plank, but also in garland form. He seems to have been influenced by Jan Davidszoon de Heem, since his subjects follow his style quite closely. According to Houbraken his paintings were prized for preserving summer plenty in the middle of winter. In a poem by Cornelis de Bie, it is written that his fruits would tempt a pregnant woman. His paintings hang in many european museums, and the Dutch RKD has over 70 known works by him on record. He signed his works JORIS VAN SON. His students were Frans van Everbroeck, Jan Pauwel Gillemans II, and Norbert Montalie. | |||
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Still-Life of Fruit Pintura Identificación:: 74526 Vea nuestra galería en Suecia |
Still-Life of Fruit 1663 Oil on canvas 76 X 61 cm (29.92 X 24.02 in) cjr 1663 _ Oil_on_canvas _ 76_X_61_cm_(29.92_X_24.02_in) _ cjr |
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Still-Life with cheese Pintura Identificación:: 74997 Vea nuestra galería en Suecia |
Still-Life with cheese Joris van Son, Still-Life with cheese, 1650s, oil on canvas, Musee de beaux-arts de Tours, France. cjr Joris_van_Son,_Still-Life_with_cheese,_1650s,_oil_on_canvas,_Musee_de_beaux-arts_de_Tours,_France. cjr |
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Crustaces, huitre et coupe de fruits avec un verre Pintura Identificación:: 75175 Vea nuestra galería en Suecia |
Crustaces, huitre et coupe de fruits avec un verre 17th century Oil on canvas 49 X 65 cm (19.3 X 25.6 in) cjr 17th_century _ Oil_on_canvas _ 49_X_65_cm_(19.3_X_25.6_in) _ cjr |
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Fruchtestillleben mit Nautilusmuschel Pintura Identificación:: 75959 Vea nuestra galería en Suecia |
Fruchtestillleben mit Nautilusmuschel 1660 - 1665 Oil on canvas, 48.5 x 64 cm cyf 1660_-_1665 Oil_on_canvas,_48.5_x_64_cm cyf |
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Still Life of Fruit Pintura Identificación:: 76065 Vea nuestra galería en Suecia |
Still Life of Fruit 1663 Medium Oil on canvas Dimensions 76 x 61 cm (29.9 x 24 in) cyf 1663 _ Medium_Oil_on_canvas _ Dimensions_76_x_61_cm_(29.9_x_24_in) _ cyf |
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| 1623-1667) was a highly popular Flemish Baroque painter of fruit and flowers, in banquet style on a plank, but also in garland form. He seems to have been influenced by Jan Davidszoon de Heem, since his subjects follow his style quite closely. According to Houbraken his paintings were prized for preserving summer plenty in the middle of winter. In a poem by Cornelis de Bie, it is written that his fruits would tempt a pregnant woman. His paintings hang in many european museums, and the Dutch RKD has over 70 known works by him on record. He signed his works JORIS VAN SON. His students were Frans van Everbroeck, Jan Pauwel Gillemans II, and Norbert Montalie. | ||||||||||
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